摘要
艺术史论的时间观念揭示了时间性在艺术品意义演变中的核心作用,及其在反映所处时代的社会、文化、政治环境的重要性。这一观念进一步深化了时间性与物质性的互动关系和它们与空间性的交织方式,为艺术品的解读提供了新的视角。20世纪八九十年代的跨学科研究热潮带来的时间观念挑战了传统的艺术史写作方式,并在更广泛的学术环境中建立了不同研究对象间的有效连接。这种对时间观念的重新解读和发掘,意识到了传统的艺术史写作方式在更宽泛的学术语境下的局限性,促进了历史和学科边界的打破,从而为艺术史研究带来了更为广阔的视野。
The idea of time in art historiography reveals the critical role of temporality in the evolution of the meaning of works of art,and its importance in reflecting the social,cultural,and political context of the times in which they were made.This idea further deepens the interaction between temporality and materiality and the ways in which they are intertwined with spatiality,providing new perspectives on the interpretation of works of art.The interdisciplinary research boom of the 1980s and 1990s brought with it a conception of time that challenged the traditional way of writing art history and established an effective connection between different objects of study in a wider academic context.This reinterpretation and discovery of the idea of time realised the limitations of the traditional way of writing art history in a wider academic context,and facilitated the breaking down of historical and disciplinary boundaries,thus bringing a broader perspective to art historical research.
出处
《艺术管理(中英文)》
2023年第4期14-23,共10页
Journal of Arts Management
关键词
艺术史
时间观念
历史编纂学
Art History
The Idea of Time
Historiography