布拉尔表演方法:一个解释学路径的研究

The Bral Acting Method:A Hermeneutical Approach

在本文中,我强调了协调思想的独特方面,以及它对布拉尔表演方法的影响。东方哲学为戏剧教学工作及其制作方法的发展奠定了基础。另一个影响是汉斯-蒂斯·雷曼(Hans-Thies Lehmann)深入描述的后戏剧概念。我只提到了后戏剧概念中与“山羊之歌”剧团的戏剧实践有共同点的那些方面。其中之一是音乐,以及布拉尔在作品中描述其功能的方式。后来我还提到了阿道夫·阿皮亚,以及他如何理解音乐在表演中的作用。考虑到这部作品不是历史调查,而是对我自己作品的实践反思,我没有详细探讨戏剧传统的遗产。在本章中,我试图介绍一些基本练习及其对创造性写作能力的影响。我试着把它放在解释学的范围里,在那里,每件事都会相互影响,包括写作训练、排练时的紧张情绪等。

In this article,I have emphasised the distinctive aspects of the idea of Coordination,and its impact on the BRAL ACTINGMETHOD.An Eastern philosophy has constituted the basis for the development of both the pedagogical work of the theatre and its method of building productions.Another influence is the concept of the post-dramatic theatre,described in-depth by Hans-Thies Lehmann.I have referred only to those aspects of post-dramatic theatre that have something in common with Song of the Goat Theatre practices.One of these is music and the way that he has described its function within a production.Later I also refer to Adolphe Appia and how he understands the role of music in performances.Bearing in mind that this work is not a historical survey,but rather a practice-based reflection on my own work,I have not gone into the legacy of the theatre tradition in detail.In this chapter,I try to introduce some elementary exercises and their impact on the ability of creative writing.I try to place it inside the hermeneutical circle,where everything has its impact on each other,the training on the writing,the writing on the rehearsal etc.