新加坡表演艺术中知识产权的货币化

The Monetisation of Intellectual Property in Singapore’s Performing Arts

在新冠肺炎流行前,新加坡有一派繁荣的表演艺术景象,且政府在过去20年中大力发展表演艺术基础设施。表演艺术部门被认为是这个国家的创意产业的重要组成部分。创意产业被公认为是新加坡GDP的重要贡献者。此外,新加坡在全球创新指数方面也表现出色,该指数被广泛认为是分析和比较不同国家创新水平和产出的可靠参考来源。鉴于新加坡在创新指数方面取得的成就以及在发展其创意产业方面所做的努力,本文试图介绍新加坡演艺行业知识产权货币化的现状,并对该行业未来和与演艺相关的知识产权的发展提出简要建议。本研究采用三阶段定性研究过程,包括文献研究、内容分析和案例研究,并确认了两项关键成果:首先,新加坡表演艺术组织的知识产权货币化仍处于初级阶段。其次,新加坡表演艺术组织缺乏进一步开发知识产权货币化的潜力的专业知识。

Singapore has a thriving performing arts scene prior to the COVID-19 pandemic and the government has invested heavily in the development of performing arts infrastructure in the last two decades.The performing arts sector has been considered a vital part of the city-state’s creative industries.Collectively,the creative industries has been recognised as a significant contributor to Singapore’s GDP.Furthermore,Singapore has also excelled in the Global Innovation Index,which is widely recognised as a trustworthy source of reference for analysing and comparing the innovation levels and outputs of different nations.Given Singapore’s achievements in the innovation index and efforts in developing its CIs,this paper attempts to present the current state of IP monetisation in Singapore’s performing arts sector and makes brief recommendations for the sector’s future development of performing arts-related IP.A three-phase qualitative research process is employed for this study,which include secondary research,content analysis,and case study research.Two key outcomes were identified.First,IP monetisation in Singapore’s performing arts organisations are still in the infancy stage.Second,performing arts organisations lack the expertise to further develop the potential of IP monetisation.