摘要
当代社会最大的实践就是空间实践,艺术消费总是与空间实践紧密相连。"蝴蝶剧场"是浙江小百花越剧场的别称,因其建筑形态像一只振翅的蝴蝶,也隐喻了越剧《梁祝》化蝶的艺术意向。为了实现"游西湖、喝龙井、看小百花"的杭州文旅愿景,杭州市政府建造了蝴蝶剧场。蝴蝶剧场不但是小百花的驻场,也是艺术生产的空间。剧场作为平台,其开放性和功能性,与资源、产业链、人才培养实现有机对应,决定了剧场的艺术能量和艺术价值。当机制、管理运营模式进入良性循环时,这也就完成了艺术生态的建构。
The biggest practice in contemporary society is space practice.Art consumption is always closely connected with space practice."Yue Theatre"is another name of Zhejiang Xiaobaihua Yue Opera Theatre.Because its architectural form is like a butterfly flapping its wings,it also metaphors the artistic intention of transforming into butterflies in Yue Opera Liang Zhu.In order to realize the Hangzhou cultural tourism vision of"visiting the West Lake,drinking Longjing tea and watching Xiaobaihua’s performance",this Yue Opera theatre was built.Yue Theatre is not only the residence of Xiaobaihua,but also a space for art production.As a platform,the openness and functionality of theatre organically correspond to resources,industrial chain and talent training,which determines the artistic energy and artistic value of theatre.When the mechanism,management and operation mode enter a virtuous circle,the construction of artistic ecology is completed.
作者
王国伟
罗晓敏
秦娜
Wang Guowei;Luo Xiaomin;Qin Na
出处
《艺术管理(中英文)》
2021年第3期143-149,共7页
Journal of Arts Management
关键词
小百花越剧团
蝴蝶剧场
艺术生态
空间运营管理
Xiaobaihua Yue Opera Theatre
Yue Theatre
Artistic Ecology
Space Operation Management