作为视觉体制的空间范式及其现代转型

Spatial Paradigm as a Scopic Regime and Its Modern Transformation

立足于现代视觉体制的形成,自19世纪至今,现代艺术空间范式的转型可以概括为三个历史阶段。首先,在作为现代性前史的19世纪,艺术空间范式主要呈现出从物理性的透视空间向心理性的知觉空间过渡的趋势。其次,20世纪前半叶,在艺术形式激烈变革的现代主义时期,其空间范式进一步从知觉空间向精神性的抽象空间转换。最后,20世纪中叶之后,一种基于反本质主义解构立场的场所化的观念空间,逐渐成为后现代状况下最具典型性的艺术空间范式。据此,作为视觉体制的重要组成部分,空间范式不仅提供了一个现代转型的独特理论视角,而且在艺术实践维度将其演进逻辑历史性地呈现了出来。

Based on the formation of modern scopic regime,the transformation of modern artistic spatial paradigm from the 19th century to the present can be summarized into three historical stages.First of all,in the 19th century as early modernity,the spatial paradigm of art mainly presented a trend of transition from physical perspective space to psychological perceptual space.Sec-ondly,in the first half of the 20th century,during the period of modernism when art forms were undergoing drastic changes,its spatial paradigm further changed from perceptual space to spiritual abstract space.Finally,after the mid-20th century,a placeoriented conceptual space based on the anti-essentialist deconstruction position gradually became the most typical artistic spatial paradigm in the postmodern conditions.Accordingly,as an important part of scopic regime,the spatial paradigm not only provides a unique theoretical perspective of modern transformation,but also historically presents its evolutionary logic in the dimension of artistic practice.