人类学视角下的绘画形态研究和创作实践

The Research and Practice of Painting Form from the Perspective of Anthropology

20世纪90年代末,人类学家庄孔韶首提"绘画人类学"概念并邀请艺术家运用人类学视角开展绘画人类学艺术创作。绘画人类学以文本与绘画图像相结合为特点、以跨学科的宏观视角和研究方法,开展人类学的田野调查和绘画人类创作实践。艺术家被作为研究对象、研究者、创作本体多重身份出现,也体现了绘画人类学研究独特的视角。本文着重厘清绘画人类学概念、形态、研究范畴,并以田野调查、艺术采风、后期创作的第一手图文材料来说明绘画人类学的研究方向和学科价值。

In the late 1990s,Mr.Zhuang Kongshao,a renowned anthropologist,proposed the concept of"painting anthropology"for the first time and invited artists to carry out the art creation of painting anthropology from the perspective of anthropology.Characterized by the combination of text and painting image,painting anthropology carries out anthropological field investigation and painting human creation practice from the macro perspective of interdisciplinary research.The multi-identities of research objects,researchers and creative subjects artists choose to assume also embody the unique research perspective of painting anthropology.With its focus on clarifying the concept,form and research category of painting anthropology,this paper aims to explain the research direction and academic value of painting Anthropology with first-hand graphic materials of field survey,art collection and late creation.