何香凝20世纪30年代书画义卖展览会中的“书画救国”实践

He Xiangning’s Practice of “Saving the Nation by Calligraphy and Art” in the Painting and Calligraphy Charity Exhibitions in 1930s

何香凝于1931年在上海举办的"救济国难书画展览会"和1936年在南京举办的"救伤救国书画展览会"是她"书画救国"思想的重要实践。这两次展览规模之大、筹划之精心、影响力之大,已成为民国年间同类型活动的代表。文章聚焦于1936年何香凝举办的"救伤救国书画展览会",以目前国内文博机构所收藏的"救伤救国书画展览会"作品为主要依据,参考相关的展览相册、文献、民国报刊报道,对何香凝在20世纪30年代举办的义卖展览的历史价值做进一步的研究。

The"Nation Salvation Painting and Calligraphy Exhibition"in Shanghai in 1931,and the"Painting and Calligraphy Exhibition for Saving the Wounded and Saving the Nation"in Nanjing in 1936,hosted by He Xiangning,are important practices of her idea of"saving the nation by calligraphy and art".These two exhibitions were grand-scale,carefully planned and had great influence.They became a representative of similar activities during the Republic of China.This paper focuses on the"Nation Salvation Painting and Calligraphy Exhibition"hosted by He Xiangning in 1936.Based on the works of the exhibition collected by domestic cultural institutions,as well as relevant exhibition albums,literature,and newspaper reports in the Republic of China,this paper makes a further study on the exhibitions organized by He Xiangning in the 1930s.