海外藏耕织图的绘制、收藏与价值分析——以元代程棨、明代宋宗鲁与清康熙三版本为核心的探讨

Drawing, Collection and Value Analysis of the Pictures of Tilling and Weaving Collected Overseas: Focusing on the Three Versions by Cheng Qi in the Yuan Dynasty, Song Zonglu in the Ming Dynasty and the One Commissioned by Emporer Kangxi in the Qing Dynasty

耕织图是以耕作与纺织为题材的绘画图像,在我国有着悠久的历史,在海外的流传和影响也非常广泛和深远。虽然目前有关耕织图的讨论与分析已经很多,但海外所收藏的耕织图却尚未得到足够的重视。通过对收藏在海外的元代程棨《耕织图》、明代宋宗鲁《耕织图》及清代康熙《御制耕织全图》的描述与分析,我们可以发现,这些图像对于理解传统中国的绘画风格、民风民俗、政治传统等具有多方面的价值与意义。

The pictures of tilling and weaving were painting images with tilling and weaving as the subject.They had a long history in China,and their spread and influence overseas were also very extensive and far-reaching.Although there have been many discussions and analysis on these pictures,the overseas collections have not yet received enough attention.Through the description and analysis of the Gengzhi Tu(Pictures of Tilling and Weaving)respectively attributed to Cheng Qi in the Yuan dynasty and Song Zonglu in the Ming dynasty,and the Yuzhi Gengzhi Tu(Imperially Composed Pictures of Tilling and Weaving)commissioned by Emporer Kangxi in the Qing dynasty,collected overseas,we can find that these images have many values and meanings for understanding traditional Chinese painting styles,folk customs,and political traditions.