广东省博物馆藏“南澳Ⅰ号”出水景德镇窑青花瓷图像研究

A Study on the Images on the Jingdezhen Kiln Blue-and-White Porcelains from “Nan’ao Ⅰ Shipwreck” Collected in Guangdong Museum

瓷器绘画是瓷器研究的重要组成部分,其对于瓷器的断代、瓷画文化内涵的识读和瓷画画风的流变等研究都十分重要。本文挑选具有代表性的"南澳Ⅰ号"出水景德镇窑青花瓷器,就各件器物上的图像与版画、画谱和绘画进行比较研究,探讨该批景德镇窑青花瓷器图像的绘制技法及其与版画、画谱和绘画之间的关系。通过详细对比,我们认为"南澳Ⅰ号"出水景德镇窑青花瓷器的年代应为嘉靖时期。在此基础之上,本文还对"南澳Ⅰ号"出水青花瓷器的图像与版画、画谱和绘画的分疏异同做了进一步探究。

Porcelain painting is an important part in studying porcelain characteristics. It could be used to judge the time of manufacturing of the porcelain, and understand the cultural connotation and its development trend of painting style on porcelains. This paper selects the typical Jingdezhen kiln blue-and-white porcelains from "Nan’aoⅠShipwreck" collected by Guangdong Museum, and compares the images on each object with prints, printed manuals of Chinese paintings and some paintings in order to find the relationship among them. Through careful comparison, we believe that the age of the Jingdezhen kiln blue-and-white porcelains from "Nan’aoⅠShipwreck" collected by Guangdong Museum should be the Jiajing reign period of the Ming Dynasty. On this basis, the paper also makes a further exploration of the similarities and differences among the images on porcelains, prints, painting guide books, and some Chinese paintings.