侯麦电影中角色欲望的动态设计技巧——以《克拉之膝》为例

The Dynamic Design Techniques of Characters'Desires in Eric Rohmer's Movies:Taking Le Genou de Claire as An Example

侯麦影片的剧作风格在电影史上独树一帜,富有个人风格。侯麦的影片创作主题始终围绕着情感、欲望和伦理道德的抉择,相关研究主要聚焦于叙事主题的论述,对于侯麦电影中角色的欲望动态设计技巧鲜有涉猎。其影片擅长利用电影叙事技巧,通过长时镜头、富有意味的场面调度去展现角色之间的复杂关系,最后形成角色的动态欲望,进而形成影片的深度与韵味。本文以侯麦的典型代表作之一《克拉之膝》为例,探寻侯麦影片的角色动态欲望结构设计及技巧。

The theatricalism of Eric Rohmer's films is unique in the history of cinema because of the rich personal styles.The themes of his films always revolve around the choices of emotions,desires,and ethics.Relevant researches mainly focus on the discussion of narrative themes,and there is few exploration of the dynamic design techniques on the movie characters'desires in Eric Rohmer's films.His films excel in utilizing narrative techniques,showcasing the complex relationships between characters through long shots and meaningful scene scheduling.This ultimately forms the dynamic desires of the characters,and then constructs the depth and charm of the films.This article takes one of his representative works Le Genou de Claire as an example to explore the dynamic design structure of characters'desires and the related techniques in Rohmer's films.