摘要
文章将云南现代版画的历史分为“‘现实主义’的新兴时期”“思想解放的黄金时代”“新世纪的多元化表达”三个阶段,追溯和描述了云南现代版画对“传统地域文化资源”从诞生、高潮到面临消解的运用历程。围绕现代云南版画创作中地域题材、传统艺术形式、传统文化精神的运用状况,对“现代性再造”的方式和得失进行了探讨。
Three stages are divided in this paper as“emerging stage of‘realism’”,“golden age of mind liberation”,and“diverse expression of the new age”,which track and describe the development of the use of“traditional regional cultural resources”of Yunnan block print from birth,peak to the risk of disappearance.Focused on the use of the regional theme,traditional artistic forms,and traditional cultural spirit in the creation of Yunnan block print,this paper discussed methods and gain and loss of“the re-making of modernity”.
出处
《云南艺术学院学报》
2023年第3期100-107,共8页
Journal of Yunnan Arts University
关键词
云南版画
传统地域文化
现代性再造
Yunnan block print
traditional regional culture
re-making of modernity