《路边野餐》:时空书写与元意境构筑

Kaili Blues:Space-Time Writing and Meta-artistic Conception Construction

《路边野餐》是一部结合贵州区域风土人情的梦幻诗意佳作,其以当代的纪实性书写为基底,却又不桎梏于第六代导演擅长的对社会现实的批判之法,而是着力将人物内心的冲突与迷惘构筑成一种元意境,改变了传统的电影结构。影片中交错着过去、现在与未来的梦,其视听语言运用具有颠覆性的创新,开辟了一种反传统的、高度私人化的叙事策略,将影像表达深入人的潜意识境界,用魔幻现实主义的手法将物质空间打造成一场梦境,书写着属于个体对于当下生活的体悟,最终在时空形塑与文化旨意的传达上高度展现导演的作者性与文化气度。

Kaili Blues is a dreamy and poetic masterpiece that combines local customs and tradition in Guizhou region.It is based on contemporary documentary writing,but is not limited by the critiques of social reality that the sixth-generation directors are good at.Instead,it focuses on constructing the characters'inner conflicts and confusion into a meta-artistic conception,changing the traditional film structure.The film is interlaced with dreams of the past,the present and the future.Its audio-visual language is subversive innovative so that it opens up a kind of anti-traditional and highly private narrative strategy.Thus,the expression of image can go into the subconscious realm of people.The author uses magic realistic techniques to create a dream which is out of material space,writing individual's understanding of the current life.Ultimately,the director's authorship and cultural magnanimity are highly demonstrated in the space-time shaping and the transmission of cultural intentions.