摘要
《哈莱姆二重奏》是当代非裔加拿大戏剧家贾内特·西尔斯的代表作。该剧具有鲜明的空间特征,西尔斯通过情节设置、叙述模式、场景描写等方面的空间化尝试,展现了美国黑人波澜壮阔的斗争历史、黑人内部的种族与性别冲突以及加拿大对美国黑人的疗愈意义,揭示了美国黑人群体遭受的种族和性别创伤,体现出她对流散非裔的历史与未来的思考。通过该剧,西尔斯不仅实现了戏剧空间领域的创新,也传递出身为非裔加拿大戏剧家的身份定位和民族自豪感。
Harlem Duet is a masterpiece of contemporary African Canadian playwright Djanet Sears.The play has a distinct spatial character.Through spatialization attempts in the areas of plot setting,narrative mode,and scene description,Sears demonstrates the magnificent history of the struggle of African Americans,the racial and gender conflicts within the black community,and the healing power of Canada for African Americans while revealing the ethnic and gender trauma suffered by the African American community and conveying her thoughts on the history and future of the diaspora black community.Through this play,Sears not only realizes innovation in theatre spatiality,but also embodies her identity and national pride as an African Canadian playwright.
出处
《英美文学研究论丛》
2019年第2期258-268,共11页
English and American Literary Studies
