摘要
近些年在文化研究领域,文化"全球化"的观念不断深化,有力推进了女性主义的发展。新时期一大批女性作家投驻到女性写作的行列来,震荡了以男性声音占主导的中国文坛。她们对女性身份及地位进行全面的审视与重构,打破男性话语对女性及女性写作的建构与定位,是对当下男性作家创作中女性"他者"身份的颠覆。"全球对话主义"理论的提出,为解决文化对立问题提供了新的途径。借此理论可以观照女性写作的书写困境,思考如何合理地表达女性话语权力,从而构建起自然、正常的男女话语关系。
Recent years,the constant infiltration of the concept of cultural"globalization"in cultural studies has strongly promoted the development of feminism.A large number of women writers in the new period are taking part in the ranks of Chinese female writing,shocking Chinese literary world dominated by male voice.They conduct a comprehensive review and reconstruction about female identity and status in order to break and subvert the male discourse on women and the establishment of female writing and the identity of"the other".The theory of"Global Dialogism"provides a new way to solve the problems of cultural antagonism.Based on the theory,we can investigate the difficulties of feminine writing,and think about how to reasonably express women’s discourse rights,so as to build a natural and normal discourse relationship between men and women.
作者
王梦琪
WANG Meng-qi(School of Literature,Shandong University,Jinan 250100)
出处
《中山大学研究生学刊(社会科学版)》
2019年第4期1-11,共11页
Journal of the Graduates Sun YAT-SEN University(Social Sciences)
关键词
女性写作
话语权力
他者
全球对话主义
对话
feminine writing
discourse power
the other
Global Dialogism
dialogue