摘要
在20世纪中国美术发展进程中,戴泽是作出突出贡献的艺术家与德艺双馨的美术教育家。在20世纪中国博物馆事业中,戴泽更是一位作出过卓越贡献的艺术前辈。然而,有关戴泽在博物馆事业中的卓越贡献于史料却寥若晨星,社会及公众对他的认知,常常也仅是管中窥豹。本文通过对戴泽的日记、访谈、档案、信函等第一手资料以及其他材料进行梳理和分析,以时间线索为主线,阐述戴泽所处的时代背景,归纳总结戴泽与徐悲鸿纪念馆典藏作品尤其是油画作品《徯我后》修复、戴泽与颐和园《慈禧像》保护等历史事件,进而讨论戴泽与20世纪博物馆典藏修复这一重要问题,以丰富公众对戴泽在博物馆典藏修复事业中的认知。通过对戴泽在博物馆事业中所做出的前瞻性思考与开拓性实践进行深入研究,使得戴泽的形象更加完整丰满,并探讨戴泽个人经验融于时代的可能性,给予现今博物馆事业借鉴与启示。
In the development of Chinese art in the 20 th century,Mr.Dai Ze is an artist who has made outstanding contributions and an art educator with both virtues and talents.During the development of Chinese museums in the 20 th century,Mr.Dai Ze is a master of art who has made outstanding contributions.However,Mr.Dai Ze’s outstanding contributions to the museum industry have not been fully revealed in the art and historical materials of the museum.The cognition of people and society about him only restore a very limited part.By collecting and analyzing the diaries,interviews,archives,letters and other materials of Mr.Dai,and utilizing the interactive mode of both time axis and clue of theme,to illustrate the social background in which Mr Dai live,and to sum up historical events involving Mr Dai such as’the restoration of the collection in Xu Beihong memorial’,etc.It follows the discussion of a series of important issues in the development of Chinese museums in the 20 th century,such as’preservation and restoration of collections’,to enrich our understanding of the Chinese museum industry in 20 th century.The well-rounded study of Dai Ze’s advanced perception and pioneering practice in the development of Chinese museums in this thesis develops and enriches the image of Mr.Dai.Through discussing the possibility of extending Mr.Dai Ze’s personal experience to our present experiment in Chinese Art museums,we are hoping to offer the modern Chinese museum industry reference and enlightenment.
出处
《艺术博物馆》
2022年第1期102-111,共10页
Art Museum Magazine
关键词
戴泽
“徯我后”
博物馆典藏
“油画修复”
Dai Ze
’Xi Wo Hou’
Museum collections
Restoration of oil painting and collections