摘要
云冈石窟第7、8窟装饰的组织秩序与意义,在于双窟的设计者以修禅观念与法华思想为支撑,利用了植物纹饰带、半跏思惟菩萨像等要素构造出一套视觉引导体系,对位双窟(双主室)、单主室、单主室的上/下分区、龛层、饰带层段五种空间单元分级规划像龛的内容与式样,帮助观像者依规观像、忆象与悟相,实现教化。
The organizational order and significance of the decoration in Cave 7 and 8 the Yungang Grottoes lie in the fact that the designers of the double caves were supported by the concept of meditation and the concept of Buddhism.Such elements as plant decorative bands and the statue of the half enlightenment Bodhisattva were used to construct a visual guidance system.The content and style of the niches were made according to the five spatial units of the double caves(double main rooms),single main rooms,the upper/lower zones of the single main rooms,niches,and decorative band layers to help viewers better observe the image according to regulations,remembering and realizing phenomena,thus achieving enlightenment.
作者
刘明虎
LIU Ming-hu(School of Fine Arts,Linyi University,Shandong Linyi,276000)
出处
《云冈研究》
2023年第4期1-11,共11页
Yungang Research
基金
教育部人文社会科学研究青年基金项目“南北朝菩萨造像的象征意义及其本土化研究”(19YJC760062)
关键词
云冈石窟
修禅
《法华经》
Yungang Grottoes
Zen meditation
Lotus Sutra