摘要
随着形象史学的发展,图像及实物史料的应用得到了进一步的推广。北魏平城时期的壁画和云冈石窟雕塑丰富地展现了北魏平城时期较为流行的骑射文化,也为人们了解当时骑射文化的历史面貌提供了一个形象视角。经过对图像的解读,发现北魏平城时期,以拓跋鲜卑为主的游牧部族对于骑射活动有着特别的钟爱,骑射不仅是他们生活中的重要文娱活动,而且也是民族交往交流交融的纽带。图像史料所记载的北魏平城时期的骑射文化,在传世文献中也得到了印证。
With the development of visual historiography,the application of images and physical historical materials has been further promoted.The sculptures in the Yungang Grottoes and the murals from the Pingcheng period of the Northern Wei Dynasty vividly showcase the popular equestrian and archery culture of the period,and provide us with a visual perspective to understand the historical landscape of equestrian and archery culture at that time.After interpreting the images,it is found that during the Pingcheng period of Northern Wei dynasty,the nomadic tribes mainly composed of Tuoba Xianbei had a passion for riding and archery activities which were not only important cultural and entertainment activities in their daily lives,but also a link for ethnic communication and integration.The equestrian and archery culture recorded in image historical materials during the Pingcheng period of the Northern Wei Dynasty has also been confirmed in the relevant literature.
作者
朱可
ZHU Ke(School of Physical Education,Shanxi Datong University,Datong Shanxi,037009)
出处
《云冈研究》
2023年第3期42-46,共5页
Yungang Research
关键词
云冈石窟
北魏壁画
骑射
Yungang Grottoes
Northern Wei murals
equestrian and archery