大同元代墓葬壁画的色彩与情感

On the Color and Emotion of Tomb Murals of Yuan Dynasty in Datong

从目前大同发掘出土的元代墓葬及壁画来看,以水墨山水特征为主的元代壁画与题材多样的辽金壁画呈现出完全不同的表现风格。大同地区墨色系壁画的流行与当时的绘画风格、宗教思想以及高压政权下的士人情感寄托有着必然的联系。墨色系壁画的出现与兴盛是汉族人士对世俗社会不公待遇的无声抵抗,也是他们表达内心愤懑情感的重要方式。

Tombs and murals of the Yuan dynasty unearthed in Datong so far are mainly characterized by ink and landscapes painting,and their various themes show a completely different expression style.The popularity of ink-colored murals in Datong area has a certain connection with the painting style,religious thought and the emotional sustenance of the scholars under the repressive regime.The emergence and prosperity of the ink-colored murals is the silent resistance of the Han people to the unfair treatment of the secular society,and also an important way for them to express their inner anger.