摘要
孝文帝时期是北魏平城时代国家实力、文化繁荣和石窟艺术的高峰,孝文帝迁洛前完工的第6窟,气势恢宏、富丽堂皇、庄严壮丽和精湛至美,成为佛教石窟艺术巅峰中的巅峰。尤其是现存的37幅佛传连环故事雕刻史诗般的展现,与忍冬纹带宏大、完整、精湛的画轴式横向展开,又成为第6窟艺术雕刻的珍品和艺术审美的胜景。
The Era of Emperor Xiaowen was the peak of national strength,cultural prosperity and grotto art in the Pingcheng period of the Northern Wei dynasty.The Yungang Grottoes have had a very profound artistic accumulation,construction experience and skill foundation so far.The completion of Cave 6 was completed on the eve of Emperor Xiaowen’s relocation to Luoyang in particular,and its epic display of the existing 37 Buddhist serial story carvings and their grand,complete and exquisite scrolls of honeysuckle patterns have become treasures of art carvings and the scenic beauty of artistic aesthetics.
作者
付蓉
FU Rong(School of Fine Arts,Shanxi Datong University,Datong Shanxi,037009)
出处
《云冈研究》
2022年第2期41-49,共9页
Yungang Research
基金
山西省哲学社会科学规划课题“山西省文化与旅游产业融合发展研究”(2019B047)
关键词
美术装饰
忍冬纹带
故事雕刻
艺术审美
art decoration
honeysuckle strips
story carving
artistic aesthetics
