黑色的玫瑰,浅谈当代藏语电影中的女性形象——以《阿拉姜色》和《气球》为例

The Back Rose,Female haracters in Contemporary Tibetan Films——case study of "Ala Changso" and "Balloon"

笔者从当代藏语电影中女性电影概念的建构入手,尝试对近年女性主义藏语电影中的女性人物形象及叙事展开剖析,展现了新的叙事视角之下女性角色殊途同归的命运以及叙事背后导演对于当代藏族女性困境的敏锐洞悉和深刻描绘,并对女性主义藏语电影未来的发展做出了展望。

Starting from the definition of feminist films in contemporary Tibetan films,the authors attempt to analyse the female characters and narratives of recent years’feminist Tibetan films,thus,unfolding the similar fate of the female characters under the new narrative perspective as well as the directors’keen insight and in-depth description of the plight of contemporary Tibetan women.Demonstrating the authors’prospect for the future development of Tibetan feminist films.