论康谐歌舞艺术的称谓、类别归属与区域文化属性

On the appellation,classification and regional cultural attribute of Kang harmonic song and dance

康谐是流传于康区的歌、舞、乐三位一体的乐舞艺术形式,用康区特有的毕旺(牛角胡琴或木质胡琴等)伴奏。康谐歌舞悠扬、柔美、富有韵律感,以其富有特色的表演艺术形式和康区特有的歌舞风格、韵味、美感,为广大藏族人民所喜爱,是藏族代表性的歌舞艺术形式之一,康谐歌舞闻名遐迩,蜚声国内外。本文把康谐置于康区特定的文化语境之中,对康谐歌舞艺术的称谓、类别归属与流布分层、区域文化属性等方面进行了初步的梳理和探讨,以便为进一步深入、多维的视角认知康谐歌舞艺术,从学理的层面进行铺垫。

Kangxie(khams gzhas)is a trinity of art form of song,dance and music,which is popular in Kang region,one of the three Tibetan regions,.Accompanied by the unique Biwang(pi wang)(Huqin—horned stringed Instrument or wooden stringed instrument,etc.)of Kang region,melodious,soft and rhythmic Kangxie song and dance is loved by the Tibetan for its distinctive performance form and unique style,charm and aesthetic taste of Kang region.As one of the representative art forms of Tibetan song and dance,Kangxie song and dance is well-known both at domestic and abroad.In this paper,the appellation,classification,distribution and stratification,and regional cultural attributes of Kangxie song and dance are preliminarily sorted out and discussed under the specific cultural context from kang region to the whole Tibetan regions,so that in-depth and multi-dimensional cognition of Kangxie song and dance from the theoretical perspective will be furthered.