浅谈藏戏舞台设计的演变

Initial discussion on the changes of stage designs in Tibet mask opera

藏戏是从雪域藏民生活土壤中独立产生的民族艺术,是拥有数千年历史的藏民族生活方式和情感价值的外显。从狭义上讲,传统藏戏是广场戏,并没有严格意义上的舞台设计,不过在广义上说,舞台设计的本质是创造戏剧空间。站在这一角度,不难看出,传统藏戏并非没有舞台设计,只是相对现代舞台设计标准形式而言,传统藏戏演出的舞台设计较为简单而实用。通过对比传统与现代,分析藏戏的戏剧交往空间、布景再现方式和语境塑造途径三个方面可以初步了解到藏戏舞台设计的演变过程。

Tibetan opera is a national art independently produced from the living soil of the Tibetan people in the snowy regions.It is the manifestation of the life style and emotional value of the Tibetan people with a history of thousands of years..It is an integrated art which is a set of songs and dances,performances and rap.In a narrow sense,traditional Tibetan opera is a square opera,and there is no stage design in a strict sense.From this perspective,it is not difficult to see that traditional Tibetan opera is not without stage design,but compared with the standard form of modern stage design,the stage design of traditional Tibetan opera performance is relatively simple and practical.After knowing this,comparing the traditional with the modern one,we can initially understand the evolution process of Tibetan drama stage design through three aspects the Tibetan drama communication space,set representation method and context shaping way.