摘要
本文通过梳理四川藏戏在藏戏剧种流派体系中的位置和四川藏戏研究的已有成果,发现现有文献资料与当前实际情况多有出入,从而揭示出四川藏戏研究的困境,继而指出其出路在于更深入更全面的田野调查。同时,四川藏戏基本情况的准确把握对于藏戏的整体研究和保护实践都具有基础性作用。
Through sorting out the position of Sichuan Tibetan opera in the system of Tibetan opera genres and the existing research results of Sichuan Tibetan opera,this paper finds that the existing literature and materials are different from the current situation,thus revealing the dilemma of Sichuan Tibetan opera research,and then pointing out that the outlet lies in deeper and more comprehensive field investigation.Meanwhile,the accurate understanding of the basic situation of Tibetan opera in Sichuan plays a fundamental role in the overall research and protection of Tibetan opera.
出处
《西藏艺术研究》
2019年第2期32-41,共10页
Tibetan Art Studies
关键词
藏戏
四川藏戏
非物质文化遗产
Tibetan opera
Sichuan Tibetan opera
Intangible cultural heritage