阿里地区象泉河流域石窟壁画所见供养人的考古学观察

Image of the Donors in the Murals of the Grottoes in the Xiangquan River Basin

象泉河流域石窟壁画中供养人形象时代特点鲜明,早期流行三角形大翻领袍服,晚期流行三角形小翻领袍服和对襟袍服。根据石窟窟室面积、供养人壁画所处位置、供养人两性关系及僧俗关系等分析,本文认为象泉河流域早期石窟多为王室和一般贵族供养,晚期石窟供养阶层逐渐下移。在供养佛事过程中男性和女性地位相对均等,王室成员地位相对独立,非王室成员则表现更为尊崇。

According to the information analysis of the cave room area,the location of the donors’mural,the relationship between the donors’gender and the relationship between monks and vulgar,the early caves inthe Xiangquan River Basin are mostly supported by the royal family and the general nobility,and the late grot-toes’support class gradually moved down.In the process of supporting the Buddha,the status of men and wom-en is relatively equal,the status of royal members is relatively independent,and the non-royal members aremore respected.