写意化与剧情化——我国近年历史纪录片的两极美学探析

Xieyi and Dramatization——Two Extreme Aesthetics Analysis of China's Historical Documentaries in Recent Years

近年来,我国历史纪录片取得了较大成果,《中国》《风云战国》等不仅广获观众好评,更是在创作理念、创作方法方面大胆实践,开拓了以写意化、剧情化两极美学解读历史的新路径,大大丰富了我国纪录片的美学风格。写意化在《中国》中主要体现为大历史、去剧情化、假定性、浪漫主义等特点,剧情化则经历了从情景再现的说明式和意向化、从解说到人物台词对话、追求情境和过程的不断探索。

In recent years,China has seen remarkable achievements in the realm of historical documentaries.Documentaries such as China and The Warring States have not only garnered widespread acclaim from audiences but have also boldly ventured into new territories in terms of creative concepts and methods.They have pioneered a novel approach to interpreting history through two extreme aesthetics of Xieyi and dramatization,greatly enriching the aesthetic landscape of Chinese documentaries.Xieyi,as evidenced in China,is primarily characterized by its emphasis on grand historical narratives,de emphasis on dramatization,hypothetical scenarios,and romanticism.Meanwhile,dramatization has undergone a continuous evolution from explanation and intentionalization of scene reproduction and narration to character dialogues and a focus on contextual situations and processes.