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能指的多样性与所指的时代性:符号学视角下的历史人文纪录片解读

The Multiformity of Signifier and the Times of Signified:Interpreting of Historical and Humanistic Documentaries from a Semiotic Perspective
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摘要 历史人文纪录片在发展过程中,呈现出表达多样化的特点,以及主题鲜明的时代特征。从符号学的视角来看,构成历史人文纪录片这一符号的“能指”,随着技术的进步总体上呈现出多元化的发展趋势,主要体现在画面的具象化、文字的大众化和配音的特色化等方面。在更深一层的次生意指系统中,作品主题作为与“历史人文纪录片”这一作品形式相对应的“所指”,随着社会的进步,逐渐经历了寻根、自省、自信的不同阶段,体现出时代性的发展特征。 In the process of development,historical and humanistic documentary shows diversified characteristics in expression and distinctive characteristics of the times in theme.From the perspective of semiotics-“signifiers”,which constitute the symbol of historical and humanistic documentary,generally show a diversified development trend with the progress of technology,which is mainly reflected in the visualization of pictures,the popularization of words and the specialization of dubbing.In the deeper sub-business reference system,the theme of the work,as the“signified”corresponding to the form of“historical and humanistic documentary”,has gradually experienced different stages of root-searching,introspection and self-confidence along with the progress of society,reflecting the development characteristics of the times.
作者 郭艳民 阎旭 Guo Yanmin;Yan Xu
出处 《中国新闻传播研究》 2023年第3期213-226,共14页 China Journalism and Communication Journal
关键词 历史人文纪录片 能指 所指 多样性 时代性 historical and humanistic documentary signifier signified multiformity times
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