融合与去蔽:自然生态类纪录片的美学研究——以纪录片《青海,我们的国家公园》为例

Synthesis and Aletheia:Aesthetic Research on Natural Ecological Documentary——Taking the Documentary Qinghai,Our National Park As the Case

与以往的自然类纪录片不同,三集纪录片《青海,我们的国家公园》在呈现壮美灵动的自然景观的同时,更加强调人对自然的尊重和人与自然和谐共生的美学诉求。这部纪录片将科学与美学融合,将时间与空间重构,本文应用现象学理论,从新的维度分析自然生态类纪录片的美学表达,对研究主旋律纪录片的类型化创作有一定的启示价值。

Different from previous nature documentaries,the three-episode documentary Qinghai,Our National Park does not only stop at the level of unfolding the magnificent and dynamic natural landscapes,but extend to emphasizing on the humans’respect for nature and the aesthetic appeal of harmonious coexistence between humans and nature.This documentary combines science and aesthetics,and reconstructs time and space.This article applies phenomenological theory to analyze the aesthetic expression of natural ecological documentaries from a new perspective,which has enlightenment value for the study of the typological production of the Theme Documentary.