《九宫大成》与清代中期的词谱制作

The Connection Between Jiu Gong Da Cheng and Ci Pu Compilation in the Mid-Qing Dynasty

《九宫大成》的刊行,促使清代中期词家开始反思,认为应将词的音乐体制纳入制谱的范围。于是在词谱中讨论宫商音律成为潮流,而且利用可资借鉴的曲谱,试图重构词调的音谱,排列出与格律谱相对照乐谱。参酌曲谱并考证存世词乐文献,显示出乾嘉道时期对词体乐律的探索兴趣,与之相并行的是词乐研究不断拓进。词学的进境就在乐律探索的过程中实现,正是因为有了清代中期词谱学的铺垫,才使得晚清词谱学朝着更加全面而深入的方向发展。

The publication of Jiu Gong Da Cheng prompted Ci experts in the mid-Qing Dynasty to reflect on it and think that the music system of Ci poetry should be included in the Ci Pu.Therefore,it had become a trend to discuss temperament in the Ci Pu,and the use of the music score could be used for reference,trying to reconstruct the Ci tones of Ci Pu,and arrange the score in contrast with the meter spectrum.By referring to the musical score and textual research of the existing Ci music temperament,it showed the exploration interest of Ci music style in the Qianlong-jiaqing-Daoguang period,and the research of Ci temperament was constantly expanding.The introduction of Ci was realized in the process of music and temperament exploration.It was because of the fodding of the mid-Qing Dynasty that the Ci Pu of the late Qing Dynasty developed in a more comprehensive and in-depth direction.