从《致江东父老》论李修文创作的变与不变

A Discourse on the Changed and Unchanged of Li Xiuwen’s Creations through To My Elders of Jiangdong

《致江东父老》显现出李修文创作的变与不变的特征,既存在着内在延续性,又保持着动态生长性。一方面,李修文延续了《山河袈裟》中跨文体写作的散文风格、"人民"与"美"的写作审美;另一方面,他明确表现出回归中国式散文的文体自觉、追求属于当代中国人审美感受的美学自觉。李修文立足于中国本土,糅合古典文学资源,讲述中国故事,不断探索文化与精神意义上的当代书写。

To My Elders of Jiangdong distinctively embodies that Li Xiuwen’s creations have been changing with their original charm retained,in which inherent connections and dynamic growth coexist.On the one hand,he continues his prose style of crossing styles and retains the writing aesthetic appreciation of"people"and"beauty"reflected in Landscape Kasaka;on the other hand,he is explicit about his conciousness of returning to ancient Chinese prose and pursuing the sensibility to beauty exclusive to contemporary Chinese people.Li Xiuwen stands on our own land,allows classical literature resources to blend with each other,tells Chinese stories,trying to explore the contemporary writing with cultural implications and spiritual connotations.