身份、意识与观念——西周造物设计文化嬗变的动因探究

Identity,Consciousness and Ideas:A Probe into the Causes of the Evolution of the Creation and Design Culture of the Western Zhou Dynasty

先秦时期的造物设计艺术是中国历史文化中的首次高峰,西周时期的造物设计艺术文化、观念和意识形态对后期物质文化发展产生了深远的影响,文章分析西周造物设计艺术的发展情况,研究其嬗变的根本动因。通过这一时期大量器物、历史遗迹和文献资料研究,结合设计学、考古学、社会学、历史学等学科理论与方法,分析西周造物设计在文化理念、审美意识和设计观念三个方面嬗变的动因。西周是先秦历史文化转变的关键期,造物设计艺术承继自商文化,但在文化理念、意识形态等方面发生了重大变革,器物的身份、审美意识和文化观念是造成西周造物设计文化嬗变的根本,形成了礼仪文化、理性审美意识和人本主义设计观念。

The art of creation design in the pre-Qin period was the first peak in Chinese history and culture,the art culture,ideas and ideology of creation design in the Western Zhou Dynasty had a profound influence on the development of material culture in the later period,analyze the development of the design art of the Westem Zhou Dynasty,and study the basic motivation of its evolution.Through a large amount of research on utensils,historical relics and documents during this period,combined with theories and methods of design,archaeology,sociology,history and other disciplines,analyze the basic motivation of the evolution of the creation design in the Western Zhou Dynasty in three aspects:cultural concept,aesthetic consciousness and design concept.The Westem Zhou Dynasty was a critical period of historical and cultural changes in the pre-Qin period,the art of creation design inherits from the Shang dynasty culture,however,major changes have taken place in cultural concepts,ideology,etc.The identity,aesthetic consciousness and cultural concept of the artifacts are the root cause of the cultural evolution of the creation and design of the Western Zhou Dynasty,forming the etiquette culture,rational aesthetic consciousness and humanistic design concept.