摘要
当代中国城市文化的新经验,应依据新发展理念予以总体考量。2020年,长沙成为国家级文旅消费示范城市,长沙坡子街的现象级文化餐饮是一个值得关注的个案,其通过在室内重建邻里街道,打造了"历史性地方"的时空美学;依托收集展览生活旧物,构建了"当代性气氛"的物质美学;借由保护地方味道和语言,彰显了"共同性伦理"的具身美学。市井文化、大众生活、众乐情怀,共同构成了当代中国城市文化"风味"的精神。"小康美学"以"好韵味"与"好日子"为中国人生活的重要理念,追寻着"及人之老""美美与共""民胞物与"的生活境界与文明理想。
The new experience of contemporary Chinese urban culture should be considered according to the new development concept.Changsha has become a national cultural and tourism consumption demonstration city in 2020.By reconstructing the neighborhood and the streets indoors,cultural catering builds up the timespace aesthetics of the"historical place".Meanwhile,relying on collecting as well as displaying the used goods,it establishes the material aesthetics of the"contemporary atmosphere".In addition,by protecting local flavor and language,it highlights the embodied aesthetics of"common ethics".
出处
《探索与争鸣》
CSSCI
北大核心
2021年第5期160-168,181,180,共11页
Exploration and Free Views
基金
中央高校基本科研业务费青年重点培育项目“中华现代文艺美学的文明再释与原理重构”(20wkzd16)
关键词
城市文化
小康美学
异托邦
物质性
具身性
urban culture
well-to-do aesthetics
heterotopias
materiality
embodiment