儒释道文化背景下的唐代茶器纹饰探究——以法门寺鎏金飞天仙鹤纹壶门座银茶罗子为例

Studies on Tang-style Teaware Ornamentation under the Cultural Background of Confucianism,Buddhism and Taoism:A Case Study of the Gold-plated&Silver Pot Holder with Flying Crane Patterns from Famen Temple

在唐代三教鼎立的社会环境下,道僧为吸引信众,积极传法弘道,力图扩大道、佛二教在社会上的影响力。今天,我们通过唐代法门寺地宫出土的鎏金飞天仙鹤纹壸门座银茶罗子的装饰纹饰,看到一幅儒释道三教和谐相处、共同发展的历史画卷。

The gold-plated&silver pot holder with flying crane patterns from Famen Temple is regarded as a unique cultural mixture of Confucianism,Buddhism and Taoism,which shows a kind of Tang-style teaware ornamentation,featured by Confucian etiquette,bliss of the Dhyanas as well as seclusion of Taoism.This paper depicts an exquisite picture showing the harmonious coexistence and mutual development of Confucianism,Buddhism and Taoism,by means of studying and exploring artistic characteristics and cultural attributes of gold-plated&silver pot holder with flying crane patterns.