泰戈尔戏剧《春天》多重主题解读

Interpretation of Multiple Themes in Tagore’s Drama Spring

泰戈尔戏剧《春天》围绕束缚与解脱、奉献与获得、苦修与得救、毁灭与再生、有限与无限等哲学的、伦理的、宗教的主题展开,通过人物设置、意象选择、季节设定、对话、独白、插曲、戏中戏、民间狂欢节表演等戏剧艺术以及暗讽、拟人、借喻、对比、重复、象征等修辞手法加以表现,充满哲理和诗意。《春天》将印度古典梵剧艺术与民间音乐、舞蹈融为一体,并将印度神话剧与西方现代戏剧——问题剧、哲理剧、象征剧结合起来,创造了一种混合体戏剧。《春天》中的戏剧实验使其成为印度戏剧现代转型的成功范例。

Tagore’s drama Spring revolves around the philosophical,ethical and religious themes,such as bondage and liberation,dedication and acquisition,penance and salvation,destruction and regeneration,as well as finity and infinity. It is full of philosophical and lyrical effects by using various dramatic and rhetorical skills,such as character setting,image selection,season setting,dialogue,monologue,episode,a play within a play,folk carnival performance and other dramatic arts,as well as insinuation,personification,metonymy,contrast,repetition,symbolization and other rhetorical devices. Spring pairs Indian classical Sanskrit drama art with folk music and dance,in addition,it combines Indian myth drama with western modern drama like problem drama,philosophical drama and symbolist drama and creates a hybrid drama.The dramatic experiments in Spring made it a successful example in the modern transformation of India drama.