材料的扩充与装置的介入——陶艺作品《童年的回忆》创作实录

Material expansion and device intervention——The Record of the Creation of Ceramics Works "Reminiscences of Childhood"

装置艺术在后工业化和城市化的浪潮中,以其特有的反叛和超越美学的特征,在崇尚多元主义、摒弃极端、趋向融合的后现代语境中,以其与现实生活无与伦比的兼容性,取得了巨大的发展。随着不断的发展和壮大,其对潮流的巨大影响不可避免地影响着现代陶瓷的创作。现代陶瓷借助于装置艺术的优势,正逐步从全方位、多角度介入室内外环境空间。环境空间涉及人们的视觉、触觉、听觉、嗅觉和心理感受,因此环境空间不仅可以强调视觉感受,心理感受和其他三种感受同样重要。只有全身心地感受它,才能理解它真正的意境。我的创作中希望能够调动观众的五感,让欣赏者由被动转化为主动,真正的去感受它。在这次的创作中,我的陶艺作品融入了装置艺术或者说其本身就是装置。童年的回忆是我们的美好的财富与念想,通过陶艺的载体和装置的形式将其完美的表现出来,将勾起许多人对艺术的冥想。艺术的媒介是相通的,无论通过怎样的表现方式,只要能够立体全方位的展现出你的主题,那便是成功的。

In the wave of post-industrialization and urbanization,installation art,with its unique characteristics of rebellion and transcendence aesthetics,is incomparably compatible with real life in the post-modern context of advocating pluralism,abandoning extremes and tending to merge.Sex has achieved tremendous development.With the continuous development and growth,its huge influence on the trend inevitably affects the creation of modern ceramics.With the advantage of the art of installation,modern ceramics are gradually intervening in indoor and outdoor environmental space from all angles and multiple angles.The environmental space involves people’s visual,tactile,auditory,olfactory and psychological feelings.Therefore,the environmental space can not only emphasize the visual experience,but also the psychological feelings and other three kinds of feelings.Only by feeling it wholeheartedly can you understand its true artistic conception.In my creation,I hope to be able to mobilize the audience’s five senses,let the viewers turn from passive to active,and truly feel it.In this creation,my ceramic art works into the installation art or is itself a device.The memories of childhood are our wonderful wealth and thoughts.They are perfectly expressed through the carrier and device of ceramic art,which will evoke many people’s meditation on art.The medium of art is the same.No matter how it is expressed,as long as it can show your theme in a three-dimensional way,it is successful.