感受唐朝洪州窑青瓷蕴含的唐人情感

Feeling the Tang People’s Emotions Embodied in the Celadon of Hongzhou Kiln in Tang Dynasty

洪州窑,据考古史料得知创烧于东汉晚期,历经魏晋、南北朝、隋唐、五代这多个朝代达800年之久。唐朝瓷器的概况可用"南青北白"一言以蔽之,并以此引领后世中国瓷器的基本风貌。洪州窑址在1974年江西丰城发现以来得知唐代六大青瓷名窑之一,也是占据南青中的青瓷重要一席。唐朝时期,是我国盛世的一个朝代社会经济文化高速发展,万国皆来朝拜唐朝,汇集长安、扬州等经济繁荣之地。唐时期人们已经由温饱型社会开始迅速转向了文化型社会,陶瓷器物的功能也开始迭代它的附加值,变得不再只是作为实用工具,它还需要满足人们的情感需求,情感化设计应运而生,本文用当今情感化设计的眼光看唐洪州窑,让我们感受洪州窑蕴含的情感,品味古陶瓷的人文情节,感悟中华文明的建立与发展。

According to archaeological data,Hongzhou kiln was created and burned in the late Eastern Han Dynasty,which lasted for 800 years through the Wei and Jin Dynasties,the Southern and Northern Dynasties,the Sui and Tang Dynasties and the Five Dynasties.The general situation of Tang Dynasty’s porcelain can be summed up in the words of"South Qing Bei Bai",which leads the basic style of Chinese porcelain of later generations.Since the discovery of Hongzhou kiln site in Fengcheng,Jiangxi Province in 1974,it has been known that one of the six famous celadon kilns in Tang Dynasty was also an important part of the celadon in Nanqing.During the Tang Dynasty,the social economy and culture of a dynasty in the flourishing period of China developed rapidly.All countries came to worship the Tang Dynasty,gathering Chang’an,Yangzhou and other places of economic prosperity.In Tang Dynasty,people began to change rapidly from a food-and-clothing society to a cultural society.The function of ceramics began to iterate its added value.It became not only a practical tool,but also a need to meet people’s emotional needs.Emotional design emerged as the times require.This paper looks at Tang Hongzhou kiln from the perspective of today’s emotional design.Let us feel the emotions contained in Hongzhou kiln,taste the humanistic plot of ancient ceramics,and realize the establishment and development of Chinese civilization.