明清陶瓷花鸟纹饰设计价值在现代设计语境下的再现

Reproduction of Design Value of Ming and Qing Ceramic Flower and Bird Decoration in Context of Modern Design

当代陶瓷花鸟纹饰在现代设计语境引导下,具备了传统陶瓷文化与设计文化相结合的特点。现代审美发展迅速,陶瓷花鸟纹饰也需要全新的发展以及传承,这种全新的转型随着社会经济的发展更趋激烈。本文以色彩、题材、审美特征等角度对明清时期的陶瓷花鸟纹饰进行比较研究,为该纹饰在当代的创新与传承找到新的方向。用当代创新思维研究该纹饰的构图形式、色彩展现以及内涵寓意等,使现代陶瓷花鸟纹饰具备独特的时代审美价值。

Under the guidance of modern design context,contemporary ceramic flower and bird decoration has the characteristics of combining traditional ceramic culture with design culture.With the rapid development of modern aesthetics,ceramic flower and bird decoration also needs new development and inheritance.This new transformation becomes more intense with the development of social economy.This paper makes a comparative study of the ceramic flower-and-bird decoration in Ming and Qing Dynasties from the perspectives of color,theme and aesthetic characteristics,so as to find a new direction for the innovation and inheritance of the decoration in the contemporary era.The modern ceramic flower-and-bird decoration has unique aesthetic value of the times by studying its composition,color display and connotation implication with contemporary innovative thinking.