现代陶艺的逻辑链条与学术畛域——以中国长春国际陶艺大赛作为观照点的批评性思考

The Logical Chain and Academic Boundary of Modern Ceramic——Critical thinking on the International Ceramic Competition in Changchun, China as the point of view

以"第8届中国长春国际陶艺作品邀请展,暨首届"亚泰·莲花山杯"国际陶艺大赛"为观照点,以大赛部分获奖作品为批评对象,将现代陶艺梳理为由"必然元素"与"自由元素"为主要元素的逻辑链条,并以此为思考基准,从学理上辨析现代陶艺的学术畛域。链条的非逻辑的连接与组合以及学术畛域的模糊,必然会动摇现代陶艺的存在论基础与理论定位。

The article combs modern ceramics as the logical chain mainly combining"inevitable element"with"free element",taking"The 8 th China Changchun International Ceramics Symposium",and the first"Yatai-lianhuashan Cup International Pottery Competition"as the reference,and some of the winning works of the competition as the objects of criticism.Thus the academic boundary of modern ceramics is analyzed theoretically based on this thinking.The non-logical connection and combination of the chain and the fuzziness of the academic boundary will inevitably shake the basis of existentialism and the theoretical positioning of modern ceramics.