空间剪辑:电影视域下城市文化的叙事营造

在"空间"概念方面,视觉理论是具有跨界性的,并且影响了人们的思维和实践,许多建筑师认为,电影对其个人设计实践产生了重要的影响。通过电影拍摄与电影制作这一手段,在审视建筑和城市空间时,人们可以获得一个新视角。本文试图将电影术语和实践原则应用于城市"空间剪辑",并以连贯性、蒙太奇、剪切和叠化四个基本的电影剪辑策略,详细解读建筑和城市环境。通过分析发现,电影叙事视角可用作一种对传统建筑设计和城市设计方法的补充,从而为城市文化营造提供一个可供公众参与的视角。

With regard to the notion of space,visual theories are transgressive and have influenced our thinking and practice,a number of architects declare the impact from film and cinema on their professional life.Film and camera are powerful means by which we can gain a new perspective on architectural and urban spaces.The aim of this paper is to borrow and investigate cinematic terminologies and practice-based principles,and apply them to the urban"spatial editing".In the paper,4 basic film editing strategies and techniques of‘continuity’,‘montage’,‘cut’and‘dissolve’are taken as examples and used to interpret architectural and urban settings.It is found that a cinematic narrative perspective might be seen as a complementary approach to the traditional methods in architectural design and city planning as well as a participatory perspective for the construction of urban culture.