摘要
数字时代媒介技术的迭代带来了媒介生态的深刻变迁,社会的媒介化与文化的媒介化已成常态。以互联网为平台的新媒介文化成为日常可感的文化环境,"网络亚文化"成为深度使用新媒体的青年群体的文化标签。技术革命与媒介文化更新,数字媒介文化的类型重组,主体实践及其话语变迁,对标举风格、区隔、对抗、收编等特征的传统亚文化理论提出了挑战。亚文化研究须对媒介建构、场景生产、主体弥合之于网络亚文化的影响予以重点关注,以增强亚文化理论与中国经验、文化新变的适配性。
The iteration of media technology in the digital age has brought profound changes in the media ecology,and social media and cultural media have become the norm.The new media culture based on the Internet has become a daily sensible cultural environment,and"network subculture"has become a cultural label for the youth target group that uses new media in depth.The technological revolution and the renewal of media culture,the type reorganization of digital media culture,the subject practice and the change of discourse have challenged the traditional subculture theory with the characteristics of style,division,confrontation and compilation.China’s subculture research should focus on the influence of media construction,scene production and subject closure on network subculture,so as to enhance the adaptability of subculture theory with Chinese experience and cultural changes.
出处
《文化研究》
2020年第4期50-62,共13页
Cultural Studies
基金
国家社科基金重大招标项目“数字媒介时代的文艺批评研究”(项目编号:19ZDA269)的阶段性成果