中国思想中的醉拳

The Interpret Zuiquan in Chinese thought

在“醉者神全”思想的影响下,中国武术形成了一种以“醉”为风格特征的醉拳。醉拳仿醉之神态,进而由酒而起,在斟酒、初饮、微醉、颠醉、狂醉、烂醉以及醒酒的身体运行过程中,醉酒不断移易武者之身心与万物,惟妙惟肖展现了醉拳之醉的形与意,势与道。醉拳以醉为象,因醉而起,以醉之形显拳之意,体现了“立象以尽意”的内在行为逻辑。拳之“醉”,意在技击之“醒”,似醉非醉、似醒非醒的“形醉意不醉、步醉心不醉”为其显著的技法特征。醉拳以醉放纵拳,以醉美化拳,醉者神全在武术思想中逐渐扎根,生成了一种与身心感通、与内外感通、与他者感通的超越性身体意识。醉拳中醉醒对立与醉醒交融的身体辩证法不仅彰显了一种中国式的身妙乎其心、游刃而有余的功夫境界,更是揭示了一种中国思想的深沉与精微。

Under the influence of the thought of“drunk people are full of spirit”,Chinese wushu has formed Zuiquan characterized by“drunk”.Zuiquan imitates the appearance of drunkenness,and then starts from wine.In the process of pouring wine,drinking at the beginning,slightly drunk,tipsy,crazy drunk,dead drunk and sober up,drunkenness constantly changes the body,mind and everything of the martial artist,vividly showing the shape and meaning,movement and Tao of Zuiquan.Zuiquan imitates the form of drunkenness,and then starts from drunkenness.In“drunkenness”,it takes“establishing the image to fulfill the meaning”as its internal behavior logic.The“drunken”of Zuiquan is intended to“wake up”in the technical attack.The“drunk form but not drunk consciousness,drunk footwork but not drunk heart”,which seems to be drunk but not drunk,are its distinctive style characteristics.Zuiquan uses drunkenness to indulge boxing,and use drunkenness to beautify boxing.Drunken in martial arts thought has taken root and gradually formed a transcendental body consciousness that is connected with body and mind,internal and external,and others.From the opposition between drunkenness and wakefulness to the blending of drunkenness and wakefulness,this body dialectic of Zuiquan not only reveals a Chinese style of body and mind,the realm of kung fu,but also reveals the depth and subtlety of a Chinese thought.