摘要
作者自就读上海音乐学院到留校任教音乐学系以来的30年间,与陈应时先生有着学术上的师承关系,对先生由极其敬畏而渐生感佩,见证了先生解译敦煌曲谱的路径和构建陈氏古谱学的艰辛。
The author as a colleague of Chen witnessed his interpretation route of Dunhuang tablatures and the way he constructed his own system in tablature translation into modern score.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2021年第1期56-65,4,共11页
Art of Music(Journal of the Shanghai Conservatory of Music)
