当代戏曲革新的第三种范式——裘继戎舞剧《惊·鸿》的叙事价值与叙述艺术解析

The Third Paradigm of Contemporary Chinese Classic Opera Innovation:Analysis on the Narrative Value and Narrative Art of Qiu Jirong’s Jing Hong

裘继戎所编排的舞剧《惊·鸿》受到年轻世代的广泛赞誉,为当代戏曲革新提供了新的参考范式。《惊·鸿》以舞者裘继戎探寻自身之梦为叙述线索,借梦境讲述了自己与京剧之间的因缘纠葛,并在古典戏曲的展演环境中,用现代舞蹈表现出对戏曲艺术传承与革新的思考。《惊·鸿》一剧,在古典戏曲框架中完成了舞蹈编排,于传统戏曲的代言叙述中融入自身的情感表达。古典与现代、戏曲与舞蹈在剧中生发出和谐的美感,形成了戏中舞、戏中情、戏中人相互交织的叙述艺术。

The dance drama Jing Hong arranged by Qiu Jirong has been widely praised by the younger generation,and has provided a new reference paradigm for the innovation of contemporary opera.The drama Jing Hong completed the choreography in the framework of classical opera,and incorporated its own emotional expression into the endorsement narrative of traditional opera.Classical and modern,opera and dance create a harmonious aesthetic in the play,forming a narrative art that interweaves dance,opera and life.