摘要
两岸戏曲艺术交流,主要发生在表演艺术、学术研究、戏曲教育等方面。两岸戏曲声腔剧种互相影响,这种影响是经演出市场的变化和班社演员的调节适应而渐变形成的,而且是双向互动的,主要体现在戏剧内部与两岸戏剧之间。台湾戏曲现代化,与大陆戏曲改革也有一定的渊源关系。两岸戏曲艺术表演交流的日趋频繁,学术界不仅参与其中,同时也起到重要的推动作用。在专业人才的培养上,大陆更具有体制方面的优势,而台湾演员与编剧人才断层与匮乏问题较为突出。在交流与对话的过程中,两岸在文化体制、学术研究、市场培育等几个方面的问题也不可避免地凸显出来,值得我们反思。
The communication of opera art between the two sides of the Strait mainly occurs in the aspects of performing art,academic research,opera education and so on.The influence is gradually formed by the changes of the performance market and the adjustment and adaptation of the actors,and it is a two-way interaction,which is mainly reflected in the interior of the drama and between the two sides of the Strait.The modernization of Taiwan opera also has a certain origin relationship with the reform of mainland opera.The academic community plays an important role in promoting the communication of opera performances.In the cultivation of professional talents,the mainland has more institutional advantages,while the fault and shortage of actors and screenwriters in Taiwan are more prominent.In the process of exchange and dialogue,cross-strait problems in cultural system,academic research,market cultivation and other aspects are inevitably highlighted,which is worthy of our reflection.
出处
《海峡人文学刊》
2021年第4期92-101,154,共11页
Journal of Humanities Across the Straits
基金
福建省社科基金基地重大项目“海峡两岸戏曲艺术交流研究”(项目批准号:FJ2018JDZ006)的阶段性成果