论电影《寻梦环游记》的空间表意建构

On the Construction of Space Representation in Coco

悉德·菲尔德的情节点与范式理论为剖析《寻梦环游记》的逻辑架构提供了理论依据。米格尔的梦想与家庭间的矛盾在包括家庭空间、阁楼在内的阳世与阴世两大空间中展开。家庭空间与阁楼的对抗、阁楼场域的溃散、行动主体的时空穿越、逃捕模式的空间位移等多重关系在此消彼长的对立统一中推动了剧情的发展,"记忆救赎"的文化预设实现了时间与空间的表意互动,并且产生了强烈的故事张力与扣人心弦的共情效力,能够在影片空间表意与逻辑建构方面为国产影片提质赋能提供深刻的借鉴意义。

Syd Field’s theory of plot points and its paradigm table provide a theoretical basis for the analysis of Coco.The contradiction between Miguel’s dream and family unfolds in the two spaces of the Real space and the Grave space,including the family and the attic.The multiple relationships such as the family space versus attic,the collapse of the attic field,the time and space travel of the action subject,and the spatial displacement of the escape mode have promoted the evolution of the plot,the cultural presupposition of"memory salvation"realizes the ideographic interaction between time and space,and bursts of strong story tension and gripping empathy.As a result,Coco provides a profound reference for domestic films in terms of spatial expression and logical construction.