试论《伴大纳言绘卷》中经说的运用——伴善男宅邸中的破戒主题

Buddhist Teachings in the Ban Dainagonemaki:The Depiction of Transgression in the Residence of Tomo no Yoshio

在本文中,笔者着眼于出光美术馆所藏《伴大纳言绘卷》中关于伴善男宅邸内日常用具场景的描绘,通过图像学分析方法,指出此场景可解读为佛教中的破戒。笔者认为,伴善男宅邸中的酒具及日常用具场景与《二河白道图》及《六道绘》等中世佛教说话绘画中所描绘的破戒主题有互通之处。由此进一步推断,在《伴大纳言绘卷》的制作与鉴赏过程中,体现了强烈的以因果报应为基调的佛教伦理与秩序。

This paper focuses on the scene of the interior of Tomo no Toshio’s residence. It shows through iconographic analysis that the various objects inside the mansion can be read as indicating that the lifestyle of the occupants transgressed Buddhist precepts for living in multiple ways. The saké server and cups and other items inside the mansion are motifs also found in Buddhist paintings that specifically depict the consequences of transgression such as Rokudō-e( paintings of the Six Realms) and Nikabyakudōzu( paintings of "Two Rivers and the White Path"). It therefore seems clear that part of the intention behind the creation of the Ban Dainagonemaki was to communicate the Buddhist concept of cause and effect.