古檗山庄藏康有为碑刻书法研究

A Study on the Calligraphy of Tablet Inscription of Kang Youwei in the Gubo Villa

古檗山庄保存有众多完好的近代名流书家为其主人黄氏家族的墓园所书题刻,是目前国内不多见的墓园碑刻书法艺术宝库之一。其中,所藏的两通康有为先后书写的碑刻《跋记》《图记》,两碑虽只间隔3年,但书风呈现不同面貌,可见其“康体”书风的前后变化。首先将《跋记》《图记》分別与康氏同时代的其他作品作横向的书风比较,探究其“遍临百碑,自成一体”书风形成的原因,并对两通碑刻的取法、用笔等做纵向比较,梳理其书风从端庄平正、独特却不失古意,再到风格浑厚雄放、意态奇逸的成熟“康体”风格的变化,解析其承古创今、入古出新的书风演变原因,从而解读康有为“唯南碑与魏为可宗”的碑学主张。

There are many cemetery inscriptions by modern famous calligraphers for the ltuang’s family in Gubo villa,which is a rare cemetery calligraphy inscription in art treasures in China.Including two inscriptions of Ba Record and Tu Record by Kang Youwei,which shows the development and maturity of his“Kang style”calligraphy.First of all,the study compares the style of Ba Record and Tu Record with that of other inscriptions at the same period to explore the reasons for the formation of his calligraphy style,which is“imitate various families to have a style of his own”.Then,the study analyzies the process of the evolution of the ancient style and the new style of calligraphy through the selection of the two inscriptions to vertical comparison,such as the derivation of style and calligraphy usage.Finally,it tries to interpret the formation and practice of Kang Youwei’s stele theory of“only the tablet of south and tablet of Wei dynasty can learn”from the change of the style of stone inscriptions.