诗意传承、仪式展演与亚文化资本积累——古风音乐圈的亚文化生产与文化认同

Inheritance of Poetic Tradition,Ritual Performance and Accumulation of Subcultural Capital:Subcultural Production and Cultural Identity of Ancient-style Music Subculture Circle

古风文化是本土亚文化中蓬勃发展的一个分支,以生产传统文化元素与流行元素相结合的音乐作品为特色,逐渐聚集起了以青少年群体为主的古风音乐亚文化圈。从亚文化的生产实践入手对古风音乐圈的文化认同进行研究发现:在形塑民族认同层面,古风音乐创作者对中华民族的诗意传统进行了现代化改写;在培养群体认同层面,古风音乐圈对内通过符号生产进行群体身份的赋予,对外则通过仪式化展演强化群体认同;在寻求自我认同层面,古风音乐圈成员通过不同形式的音乐生产实践,或是积累亚文化资本,或是回应对个体身份的疑惑。古风音乐作为传统文化在互联网时代的良好呈现形式,成为提升青少年群体文化认同感的催化剂,也响应了新时代构建文化自信的国家策略,但在发展过程中也存在文化价值被商业价值遮蔽、创作者的话语权被削弱、组织松散缺乏优秀领袖等问题。

The ancient-style culture is a thriving branch of the local subculture,characterized by ancient-style songs that combine traditional cultural elements with popular elements.It gradually gathers a subculture circle of ancient-style music,mainly composed of young people.Starting from the production practice of subculture,research on cultural identity in the ancient-style music circle shows that the lyricists of ancient-style music have modernized the poetic traditions of the Chinese nation in shaping national identity.In terms of cultivating group identity,the ancient-style music circle endows group identity through symbolic production behaviors internally,and strengthens group identity through ritual performances externally.At the level of seeking self-identity,members of the ancient-style music circle clarify individual identities through different forms of music production practice,to accumulate subcultural capital or respond to individual identity crises.Ancient-style music,as a good representation of traditional culture in the internet era,has become a catalyst for enhancing the cultural identity of young people,and also responds to the national policy of building cultural confidence in the new era.However,research shows that in the process of its development,cultural values are often overshadowed by commercial values,the right of the members to speak is weakened,and the organization is loosely managed and lacks outstanding leaders.