“后记忆”战争影像——被重构的历史记忆与迭代创伤

Post-Memory Images of World War Ⅱ——Reconstructed Historical Memory and Iterative Trauma

在大众文化发展趋势下,从图像到影像的虚拟转向中,"后记忆"成为战争叙述研究的新视角,以再现"银幕上的祖代"生成身份认同,呈现被重构记忆引发迭代创伤,战争史观指涉实现未来政治认同。当遮离战后阴影的新一代个体通过银幕上富有感染力的历史创伤碎片来重新认识战争,并将从影像中继承的战争"后记忆"传承下去,对战争及其历史的想象也由此定型,记忆再塑形成"入戏真实",并将这种真实演化为技术时代的"政治正确"。

The theory of Post-Memory put forward by Marian Hirsch originally refers to that the descendants of the Holocaust inherit the traumatic memory of Holocaust survivors.Under the development trend of mass culture,Post-Memory became a new perspective of war narrative research in the virtual turn from literature to film and television.It reproduced the Ancestors on the Screen to generate identity,to show the reconstructed memory caused iterative trauma,and referred to the realization of future political identity with the view of war history.When the new generation of individuals who covered the shadow of the post-war reconsider the war through the infectious historical trauma fragments on the screen,and passed on the postmemory of the war inherited from the images,the imagination of the war and its history was thus shaped,and the memory was reshaped to form the Reality of Entering the Drama,and this reality was evolved into the Political Correctness of the technological era.