摘要
黑水城文献中出土了汉、夏本《佛说报父母恩重经》《父母恩重经》等残卷,仅在汉文本TK-119和TK-139残经卷首保存有卷首画。卷首画是经文内容形象而生动的体现,更具视觉效果,为推动佛教传播起到了积极作用。本文结合残存经文对俄藏黑水城汉文《报父母恩重经》卷首画内容进行解析,并与敦煌壁画、绢画和大足石刻浮雕进行比较,探究黑水城卷首画与其他变相的不同之处和特色。
Incomplete chapters of Chinese version of Foshuobaofumuengzhongjing and Fumuengzhongjing of Xia Dynasty were excavated in Heishuicheng,the frontispiece was only found in TK-119 and TK-139.Frontispiece is the vivid reflection of content of lection,and it also has visual effect and positive function for spreading Buddhism.This paper firstly combines the incomplete chapters to analyze the content of frontispiece of Baofumuengzhongjing of Heishuicheng that is collected by Russia,and compared with Donghuang murals,silk paintings and Dazu stone relief carving to explore the disparities and the features of it.
作者
崔红芬
文志勇
CUI Hong-fen;WEN Zhi-yong
出处
《青海民族研究》
CSSCI
北大核心
2021年第2期204-212,共9页
Qinghai Journal of Ethnology
基金
2019年度国家哲学社会科学基金项目(批准号:19BZJ023)
2019年国家哲学社会科学基金重大招标项目(批准号:19ZDA240)的阶段性成果
关键词
俄藏黑水城
《报父母恩重经》
卷首画
Heishuicheng Collected by Russia
Baofumuengzhongjing
Frontispiece