摘要
六月会是流传在青海黄南藏族自治州同仁市隆务河一带藏、土族人民共同举办的大型祭祀乐舞。对六月会乐舞仪式进行制度性的分析,可揭示出六月会乐舞内在的音乐结构特征以及文化内涵,进一步解释仪式场域中音声、行为与信仰的相互深入关系,从而达到对六月会乐舞文化意义的深层阐释。通过调查,具有集群性与周期性特点的六月会乐舞仪式结构庞大,突出显示了乐舞过程的内在秩序性以及规约性,从而使文化群体形成了制度性的建构过程。从其文化表征来看,不同的象征符号形成了由外显到中间再到核心的自下而上的阶梯式建构体系,进而揭示了同仁六月会乐舞仪式制度性建构的秩序特征。
June festival is a kind of huge sacrificing musical dance that is held in Longwu river of Tongreng city of Qinghai by people of Tibetan and Tu.To make systematic analysis on its rituals of musical dance can reveal the musical constructing features and cultural connotation,and explain the deeper relationship among sounds,behaviors and belief,so as to get the deeper interpretation the cultural meaning of musical dance of June festival.From the investigation it can be seen that the structure of musical dance ritual with clustering and periodism features is huge,and shows its internal order and conventionality in the process of the dance,and formed institutional constructing process on cultural community.From the cultural representation,different symbols formed constructing multistep system from the apparent to internal and to the core that reveals its systematic constructing feature of musical dance of June festival in Tongreng.
出处
《青海民族研究》
CSSCI
北大核心
2021年第2期190-197,共8页
Qinghai Journal of Ethnology
关键词
六月会
乐舞
制度
建构
June Festival
Musical Dance
System
Construction